Marcus/M

Month

March 2012

33 posts

Sayso Evy Jane

esotericaetc:

Evy Jane - “Sayso”

Creepy and beautiful.

Something about the chorus really reminds me of Kp & Envyi’s “Shorty Swing My Way” and I can’t for the life of me figure out why.

Feb 29, 20125 notes
Feb 29, 2012364 notes

February 2012

76 posts

All of Me Tanlines

Tanlines | All of Me

Today’s jam.

Feb 29, 20121 note
#Tanlines
Feb 28, 20121,164 notes
Feb 28, 20123 notes
#Richard Kilroy
Feb 28, 20121 note
Feb 28, 201231 notes
Feb 28, 2012571 notes
LEFT SIDE DRIVE

jkjkjkjkjkjkjkjkjkjk:

Solange - Left Side Drive

I will never get over this track. Solange singing over Boards of Canada and I am still in love.

If I could just talk at all
For the road
Before it comes to life

Feb 28, 201238 notes
“I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share.” —Vladimir Nabokov
Feb 28, 20121 note
#passages #keep coming back to this for various reasons
Feb 27, 2012
Feb 26, 20122,651 notes
So I saw all 9 Best Picture Nominees...

LOVED:

The Tree of Life

Hugo

REALLY LIKED:

Moneyball

War Horse

MIXED BORDERING ON NEGATIVE:

The Artist

The Descendants

The Help

GENERAL DISLIKE:

Extremely Loud and Incredibly Close

LOATHED:

Midnight in Paris

So, overall not a great year for this category. Tree of Life and Hugo are bona fide masterpieces in my book already, but the rest are hard to get excited about. Moneyball was super solid (and I’d like Brad Pitt to win Best Actor since Fassbender can’t) and War Horse was endearing for its old fashioned sentimentality, but other than those two, none of these stuck out to me much, which is a bummer considering Drive came out this year (among other off-beat ones I haven’t seen yet). The Artist was enjoyable, but I’m being hard on it because of all the acclaim and because I didn’t find it to be much more than a nicely packaged shell. It also seemed to make a case against silent movies, which I really don’t think it intended to do. Clooney was great in The Descendants and I usually like Alexander Payne movies, but I was surprised at how many false notes and contrivances were packed into it. The Help was way too light and problematically whitewashed in its history (despite some great performances) and Extremely Loud didn’t have a single ounce of the book’s soul in it and found too much comfort in treacle. As for Midnight In Paris…just embarrassing.

I have a lot more watching to do for this year (A Dangerous Method, Martha Marcy May Marlene, Melancholia, Dragon Tattoo, Margaret, Pariah, Young Adult, A Separation, Weekend, & Certified Copy) where I think I might find something more for my tastes, but as it stands, I liked Tree of Life, Hugo, Drive, Shame and X-Men: First Class (truthfully) the most this year.

Feel free to argue with me!

Feb 26, 20123 notes
#Oscars
Feb 25, 2012175 notes
#Hugo #Oscars
Feb 25, 201212 notes
Feb 25, 2012695 notes
Feb 25, 2012245 notes
Feb 25, 20121,384 notes
Feb 25, 20121,577 notes
Feb 24, 201222,971 notes
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